Jemima James - At Longview Farm
The ten song release At Longview Farm
is a thirty-seven year old recording that only sees its first distribution this
year. James, a descendant of iconic American writers Henry and William James,
worked at Longview Farm Studio located in Western Massachusetts during the late
1970’s and got to know some of the most iconic artistic figures of that era
during her employment there. The Rolling Stones, Arlo Guthrie, and John
Belushi, among many others, spent time working on projects there and James took
advantage of her good fortune by further honing her own artistic skills during
this period and, as well, recording what was surely intended to be her debut
album. The songs on At Longview Farm have commercial value, but they are also
the product of an artist with a shrewd understanding of the tradition forming
the bedrock of her technique and the ability to transform it into something
uniquely her own.
Her ability to bring commercial
elements into play within this context is particularly valuable to the album’s
success. It’s evident from the first song, “Sensible Shoes”, that her talents
for folk rock never prevent her from crafting material capable of reaching an
even wider audience. Other songs like the second track, “Havana Cigar”, are cut
from a much more traditional cloth and emphasize storytelling elements in their
lyrical content while still exhibit enough folk rock appeal that it escapes the
land of the purist folk and reaches for something much broader and more
inclusive. “Easy Come, Easy Go” shows off her commercial talents at their near
zenith on the record and zips past the listen with confidence and light-footed
musicality, but it isn’t a vapid piece and makes a real impact on the listener.
There’s a much more global feel on “Esperate” that goes far beyond the
constrained limits laid down by Americana forms and James handles the singing
of such exotic material with the same adept style she exhibits on the more
traditional textures.
The tandem of “One More Rodeo” and its
follow-up “Jackson County” bring the album’s compelling contrasts in sharp
relief. The former is another breezy folk rock track spiced up with some pop
strains, but it isn’t lightweight in any respect, just more musically
exuberant. The latter song “Jackson County” revisits the storytelling virtues
heard in earlier songs like “Havana Cigar”, but it does so with a much wider
scope and greater attention to detail than before. “Billy Baloo” has a similar
approach that concentrates, this time out, on giving a believable voice to the
song’s subject and succeeds quite well thanks to both the nuance in James’
writing and in her vocal. The tensions working within the songs on At Longview
Farm are perfectly orchestrated and there’s never any sense of those influences
leading her down any artistic blind alleys. The songwriting also escapes any
hint of self-indulgence, a remarkable feat alone for a first time recording
artist who, undoubtedly, hoped to impress listeners. It’s the abundant skill
and cool confidence that makes this such a pleasurable experience.
9 out of 10 stars.
David Shouse
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