John Hickman – Remnants
Primary URL: http://www.johnhickmanmusic.com/
Hailing from the Northwest, John Hickman put his
dreams of full-time musical glory on hold for many years while enjoying a
lucrative career as an aerospace engineer. Shortly after 2010, Hickman bowed
out of his profession and took an early retirement so he might have a chance to
chase after his long delayed dreams. Hickman, since his 2011 debut, has
released a number of singles to considerable acclaim and attention in the indie
music community, but the release of his first full length album Remnants takes
things a notch higher. This is a work of enormous pop sensibilities and
artistic ambition. The best thing about Hickman, in the final respect, is that
he’s never pretentious about his presentation. Despite the ground he covers on
Remnants, the songwriting never meanders or succumbs to overkill.
There’s plenty of chances for Hickman to overindulge
himself, but he uniformly resists. One example of his taste and restraint is
the song “Cascade”. For such a gentle title, one might expect a moderate toned
or mid-tempo piece, but Hickman overturns expectations from the outset. The
drum and synth introduction is ripped straight from the eighties/early nineties
progressive rock handbook, but the song’s unique lyric turns and Hickman’s
distinctive presence on vocals make it far from imitative. Hickman hits
listeners with a blast of pure rock dynamics on the track “Escape”. His
inventiveness as a songwriter and willingness to confound even the shakiest of
expectations is on display here. Some listeners, with a song title like this,
might expect the band to serve up something frantic, uptempo, but Hickman’s
“Escape” sounds like it’s composed under pressure and full of fire.
“Paris Is Burning” is one of the album’s first
half-turns, at least, into the ballad form and introduces listeners to that
side of his musical talent with its solid writing and unshakable performance.
Hickman’s confidence remains high and unflappable throughout the album, but
instead of prompting him to toss these songs off like asides, the confidence
focuses his efforts and makes the performances often quite transcendent. “Remnants of the Human Race” finds Hickman
engaging a little social commentary, but his gifts as a lyricist make the
experience much lighter than it might have otherwise played. One of the album’s
real sleepers, in terms of quality, is “Soiled Dove”. The song does a superb
job of capturing the essence of a character with only a few well chosen broad
strokes and the music complements the lyric perfectly.
“Talk” is, perhaps, the album’s most direct nod to
the eighties’ progressive rock and sounds like Hickman listened to ample amount
of prime Asia. His voice doesn’t quite have the lower register gravitas of John
Wetton, but he isn’t merely a musician with an ear for good melodies, but
understands how to sing them as well. The ballads compromising the album’s
final lap have a strongly cinematic atmosphere and a gradually escalating
grandeur that Hickman’s voice matches well. Among them, “What Have You Done?”
scales the highest peak among a group of other exemplary tracks.
9 out of 10 stars
Shannon Cowden
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